What We Do

Fathead

ETC

Real-time Environments

Look Development, Lighting & Optimization

Whether your goals are to design a blue print to turn over to a traditional VFX house, or a highly detailed environment
ready for the LED volume, our artists will light and optimize accordingly to fit your post production pipeline.

The Lantern and The Bell

Why Women Kill

CBS

The Academy: Virtual Productions Are you Game

3D MODELING & PHOTOGRAMMETRY

Location & Set Dec Capturing & Processing

Our team can create assets from scratch, and use Lidar Scanning, Photogrammetry, and Drones, to capture real life locations and assets, to create visually engaging worlds. Our proprietary workflow and tools simplify this process allowing them to be relit and modified in real-time on set.

Virtual Production Workflows for Art Departments

Virtual Cameras & Virtual Pre-Lights

Virtual Cameras and Virtual Pre-lights focus the teams where it matters most. In these sessions, Happy Mushroom works closely with the Cinematographer to place virtual cameras and light the digital sets created by the production designer and art department.

The Academy: Virtual Productions Are you Game

Gold Room Props Demo

The Academy: Virtual Productions Are you Game

The Lantern and The Bell

Virtual Production Workflows for Art Departments

Virtual Set Decoration

Our Virtual Set Decoration process consists of asset libraries and tools we’ve developed for set decorators to furnish virtual sets, VFX environments, and inform physical set construction plans. This enables the art department to confidently support creative leads and advise other departments on set requirements.

The Academy: Virtual Production Are You Game

The Academy: Virtual Production Are You Game

Gold Room Props Demo

The Academy: Virtual Production Are You Game

Gold Room Props Demo

Production Planning

Tech-vis

Techvis is the technical documentation of Virtual Art Department Worlds, Previs and Post-vis sequences. It clearly translates the digital world into a format that can be used by on-set departments and VFX, to successfully set up shots. We stress the importance of creating worlds that are both beautiful and practical, this means creating worlds that have a foundation in real-world physics. In the case of the Virtual Art Department, we are grounded by certifiable measurements and specifications. We use everything from traditional blueprints, to photogrammetry and virtual scouts to appropriately represent what the client will get on the stage, or in VFX.

Payday